New Academic Book Series: Hagiography Beyond Tradition with Amsterdam University Press

If you follow me on Twitter, you might be vaguely aware of some mysterious messages from me over the past few months, suggesting some sort of clandestine publishing hook-up scenario. Time for the big reveal. I now have the distinct pleasure of announcing details of a new book series at Amsterdam University Press: Hagiography Beyond Tradition (HBT). Full disclosure: I'm the Series Editor, and a rabid fangirl of the kind of scholarship we're going to showcase in the series. 

Hagiography Beyond Tradition series image, digital collage by James Kerr. Mary Magdalene photobombs the Virgin Mary taking a selfie on a smartphone.

Hagiography Beyond Tradition series image, digital collage by James Kerr. Mary Magdalene photobombs the Virgin Mary taking a selfie on a smartphone.

HBT provides a home for cutting-edge scholarship on medieval saints and sanctity, combining rigorous attention to historical context with heuristics drawn from modern critical theories. The series seeks to publish incisive, impactful, and broadly interdisciplinary work. What’s more, HBT aims explicitly to foreground the work of innovative early-career researchers and put them on equal terms with more established senior academics. This is a publication space carved out to show what the best of what our field can achieve. Bring us your most audacious, most stimulating, most challenging hagiographical scholarship - work which brings your brain joy, done to the highest quality, grasping fully context and nuance - and we will do the rest. 

The series’ vital statistics are collected below, and full details can be found online here.

 

If you have any questions or queries about the series generally, the proposal process, or working with the Press, email our deeply excellent Acquisitions Editor, Shannon Cunningham at S.Cunningham [at] aup.nl.

I'm also very happy to talk through ideas for publications, chat about academic fit, and so forth - so if you want to learn more, don't hesitate to drop me a line at a.spencer-hall [at] qmul.ac.uk. Lets take hagiographical scholarship to the next level together. 

Series Details

  • Proposals for monographs and cohesive edited collections are welcome.
  • Expected word count of final publication: 70,000-110,000.
  • All publications will be in English.
  • Geographical scope: all of medieval Christendom, including Byzantium.
  • Chronological scope: ca. 500-1500.
  • Series Editor: Alicia Spencer- Hall (Queen Mary, University of London).
  • Editorial Board: Bill Burgwinkle (University of Cambridge); Martha Newman (University of Texas); Sarah Salih (King’s College London); Anna Taylor (University of Massachusetts).
  • Acquisitions Editor (at Amsterdam University Press): Shannon Cunningham.
  • Complementary to the Hagiography Society’s existing series, Sanctity in Global Perspective, which concentrates on comparative rather than more theoretical studies. We very much hope for cross-fertilisation whenever possible between the two series.

Series Abstract

The study of sanctity in medieval Europe is starting to elicit cutting-edge, innovative and genuinely interdisciplinary scholarship that destabilizes what people have conventionally considered to be hagiography. This is demonstrated in the topic range of panels sponsored by the Hagiography Society at recent landmark medievalist conferences. While hagiography has traditionally been understood only in religious terms, recent scholarship moves beyond such frameworks to consider alternate ways of identifying and representing exemplary people. So doing, such research emphasises modern cultural analogies and resonances with medieval figures.

It is not enough, however, to approach saints’ lives with a “sexy” modern framework. The best scholarship is rooted in analytical rigour, close attention to context(s), and a keen awareness of the potential pitfalls of anachronism, all the while accepting that anachronism can often be productive. This series provides a home for the kind of work that negotiates that border between the traditional and the contemporary and encourages scholarship enhanced by interventions drawn from celebrity studies, trans studies, crip theory, animal and monster studies, the history of senses and the emotions, media studies, and beyond. Rather than considering hagiography as a single genre, the series is open to expanding the ways in which we imagine how people come to be offered for veneration, as well as the media and genres in which they are fashioned, represented, and celebrated.

Hagiography Beyond Tradition series flyer. To download as .pdf go to: http://www.aup.nl/wosmedia/5678/hagiography_beyond_tradition.pdf. Please feel free to share widely! 

Hagiography Beyond Tradition series flyer. To download as .pdf go to: http://www.aup.nl/wosmedia/5678/hagiography_beyond_tradition.pdf. Please feel free to share widely! 

Crying out for Celebrity: Kim Kardashian West, Margery Kempe, and the Performance of Tears

In short order, I'll be flying out to Las Vegas (USA) to speak at the Association for Theatre in Higher Education's annual conference. I'm presenting as part of panel 1401, 'Celebrity Worship I: Sensual Practices', with a paper entitled 'Crying out for Celebrity: Kim Kardashian West, Margery Kempe, and the Performance of Tears'. In this paper, I'll be talking through some key analyses that I present in Medieval Saints and Modern Screens (mostly ch. 3). For the ATHE, I'm centering my comments on the co-incidence of "ugly" crying in the lives of the reality-TV star Kim Kardashian West and the fifteenth-century English mystic Margery Kempe. To give a flavour of the paper, I've posted a content synopsis and my slides below. 

Paper synopsis:

Kim Kardashian West’s “ugly crying face” is a viral online sensation. In a 2008 “confessional” from Keeping Up With The Kardashians, the family’s massively popular reality-TV show, Kim’s sister Kourtney declared: “I start laughing at Kim when she's crying because I just can't help it, she has this ugly crying face that she makes”. This footage, coupled with Kim’s regular emotional outbursts, has become a well-known and much-circulated meme online. Margery Kempe (d. after 1438) is the Ur-example of “ugly crying”, and her Book is the fifteenth-century equivalent of must-see car-crash reality TV. The Book of Margery Kempe¸ composed in the 1430s, catalogues the various spiritual endeavours of its protagonist, including intense mystical visions and pilgrimages. The hallmark of Margery’s piety is ceaseless weeping. Her tears are the lynchpin of her religiosity, the primary means with which she visibly enacts her elevated spiritual status. But those around Margery reject and mock her lachrymose displays, finding them irritating at best, and heretical at worst. The woman is widely rebuked for her self-proclaimed religiosity, and driven out of various towns. At one point, even her husband has had enough: faced with her endless wails, he abandons her. The Book’s primary – and unsuccessful – aim is to make a saintly star of its heroine. Why does Margery’s “ugly crying” fail at making her a saint, whilst Kim’s “ugly crying” functions to underline, and re-inforce, her celebrity status?

This paper analyses the performative aspect of tears in the lives of the two women. Though separated by centuries, the pair are united in their explicit hunger for fame, and their dynamic bodily performances. Tears (bodily “evidence”) are not enough to cement Margery’s spiritual fame. The significance of her crying is at odds with the whims of the clerics around her. What’s more, she is known to us only through text, as text – a work which was co-created with various scribes and male collaborators. By contrast, Kim presents and re-presents her body on her own terms, at least some of the time. She has a secret weapon: the ability to produce her celebrity identity directly and through social media and carefully organized reality TV appearances. In other words, Kim acts as her own talent manager. With the hermeneutic of “ugly crying”, then, we tease out the various dynamics at play in the production of (celebrity/saintly) identity in the digital and medieval age.

Medieval Saints and Modern Screens - Out this October

The Amsterdam University Press (AUP) catalogue has just arrived, featuring books that will appear this autumn, Most thrillingly, my book (mah booke) is nestled in the catalogue pages - just check out p. 12, I write nonchalantly. The catalogue is stuffed with so many gems, it's rather dizzying to be in such fine company.  And it's immensely satisfying to see that my first book is not just a figment of my fevered imagination, but is in fact really real and will be a tangible (stroke-able) book object in just a few months' time. This October, then, will be the end of an era. I first started work on stuff that's ended up in the book way back in 2010, at the start of my PhD. Seven years' thinking, give or take, have coalesced into the niftily portable format of an academic monograph. At some point, I will probably post a precis of the book, a summary of my key arguments or such like. But until then, I am basking in the glorious fact of its done-ness, and simply sharing the first proof of the endeavour with the AUP catalogue below. Enjoy!